Conceptual speed dating

— Structured in the form of an artists’ book club, ART 411 Seminar in Contemporary Art, a class at Penn State co-taught by Simone Osthoff, professor of art, and Henry Pisciotta, arts and architecture librarian, explores the book form as a medium, a metaphor, and also conceptually — as a site which simultaneously holds and produces content through original visual and verbal narrative structures and materials — and thus forges alternative forms of writing, of seeing, and of thinking.

As part of the class, Osthoff and Pisciotta organized the event "Speed Dating Artists' Books" in the West Pattee library recently.

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Paper-cut topographies and videos Mapping Reversible Destiny Trish Glazebrook and Sarah Conrad 22-40 Escaping the Museum David Kolb41-71 Ing Jean-Jacques Lecercle72-79 The Reversible Eschatology of Arakawa and Gins Russell Hughes80-102 Chaos, Autopoiesis and/or Leonardo da Vinci/Arakawa Hideo Kawamoto103–111 Daddy, Why do Things have Outlines?3 - Micropolitics: Exploring Ethico-Aesthetics Affective Territories by Margarida Carvalho Margarida Carvalho 183-275 Appetite Forever: Amsterdam Molecule* Rick Dolphi jn and Veridiana Zurita Digestive Derivatives: Amsterdam Molecule* Sher Doruff Body of Water: Weimar Molecule* João da Silva Concrete Gardens: Montreal Molecule 1* Cuerpo Común: Madrid Molecule* Jaime del Val Dark Precursor: Naples Molecule* Beatrice Ferrara, Vito Campanelli, Tiziana Terranova, Michaela Quadraro, Vittorio Milone Diagramming Movement: London Molecule* Sebastian Abrahamsson, Gill Clarke, Diana Henry, Jeff Hung, Joe Gerlach, Zeynep Gunduz, Chris Jannides, Thomas Jellis, Derek Mc Cormack, Sarah Rubidge, Alan Stones, Andrew Wilford Double Booking: Boston Molecule* Phone: San Diego/Tijuana Molecule* Micha Cardenas, Chris Head, Katherine Sweetman, Camilo Ontiveros, Elle Mehrmand and Felipe Zuniga Futuring Bodies: Melbourne Molecule* Tony Yap, Mike Hornblow, Pia Ednie-Brown and her Plastic Futures studio- PALS Plasticity and Autotrophic Life Society, Adele Varcoe and her Fashion Design studio (both from RMIT) Generative Thought Machine: Sydney Molecule* Mat Wall-Smith, Anna Munster, Andrew Murphie, Gillian Fuller, Lone Bertelsen Humboldt's Meal: Berlin Molecule* Khadija von Zinnenburg Carroll, Alex Schweder Lack of Information: Montreal Molecule 2* Jonas Fritsch, Christoph Brunner, Joel Mckim, Marie-Eve Bélanger... Beatrice Fazi, Jonathan Fletcher, Caroline Heron, Luciana Parisi Vagins-à-Dents: Hull Molecule * Marie-Ève Bélanger, Jean-Pierre Couture, Dalie Giroux, Rebecca Lavoie Wait: Toronto Molecule* Alessandra Renzi, Laura Kane Editorial: The Complexity of Collabor(el)ations Stamatia Portanova Trilogie Stroboscopique Lilith Antonin De Bemels The Speculative Generalization of the Function: A Key to Whitehead James Bradley Propositions for the Verge: William Forsythe's Choreographic Objects Erin Manning Extensive Continuum: Towards a Rhythmic Anarchitecture Steve Goodman & Luciana Parisi Feeling Feelings: the Work of Russell Dumas through Whitehead's Process and Reality Philipa Rothfield Against Full Frontal Alanna Thain Walking Distance from the Studio* Francis Alÿs The Red Line Lex Braes Research-Creation Collaboration* Marie Brassard & Alessander Mac Sween Occasional Experiences Series (excerpts)* Gerardo Cibelli Spatial Vibration: string-based instrumen, study II, 2008* Olafur Eliasson Hand's Door* Michel Groisman Interview* Louise Lecavalier untited* Otto Oscar Hernández Ruiz Bending Back In a Field of Experience* João da Silva How I learned to stop loving and worry about Dubai* Charles Stankievech 9MX15* Vinil Filmes Affective Commotion Alanna Thain Creative Propositions for Thought in Motion Erin Manning The Thinking-Feeling of What Happens: A Semblance of a Conversation Brian Massumi Clone your Technics!Research-Creation, Radical Empiricism and the Constraints of Models Andrew Murphie Thinking Spaces for Research-Creation Derek Mc Cormack Infinity in a Step: On the Compression and Complexity of a Movement Thought Stamatia Portanova Systèmes des Sons Frédéric Lavoie What is a Smooth Plane?Anna Munster 69-94 Icon Icon Aden Evens 95-117 Edgy Colour: Digital Colour in Experimental Film and Video Simon Payne 118-140 “Still Life” de Jia Zhangke: Les temps de la rencontre Erik Bordeleau 141-163 To Dance Life: On Veridiana Zurita’s “Das Partes for Video” Rick Dolphijn 164-182 Jazz And Emergence (Part One) - From Calculus to Cage, and from Charlie Parker to Ornette Coleman: Complexity and the Aesthetics and Politics of Emergent Form in Jazz Martin E.Rosenberg 183-277 History through the Middle: Between Macro and Mesopolitics - an Interview with Isabelle Stengers with Isabelle Stengers, Erin Manning, and Brian Massumi 183-275 Non-NODE non-TANGENT: No.Members com online companies sarah regardless web their who even profile? 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